A well-crafted movie trilogy is a significant accomplishment in cinema, often resulting in a collection of films that resonate with audiences. While mainstream trilogies like *The Lord of the Rings* and *The Dark Knight* dominate discussions, several underrated trilogies deserve recognition for their artistic merit and storytelling prowess. This article highlights seven trilogies where each film stands as a masterpiece, showcasing the work of some of cinema’s most esteemed directors.
The Pusher Trilogy
The *Pusher Trilogy*, consisting of *Pusher* (1996), *Pusher II*, and *Pusher 3*, marks the emergence of actor Mads Mikkelsen and director Nicolas Winding Refn. The series follows a low-level drug dealer navigating Copenhagen’s criminal underbelly. The first film introduced audiences to Kim Bodnia’s character struggling to repay a Serb drug lord after a botched deal. Initially intended as a standalone, the trilogy expanded due to Refn’s financial challenges in the early 2000s, leading to the creation of two sequels that focus on crime boss Milo. Each film offers a standalone story while exploring overarching themes of psychological turmoil, setting it apart from typical gangster films.
The Apu Trilogy
Directed by Satyajit Ray, the *Apu Trilogy* comprises *Pather Panchali* (1955), *Aparajito*, and *The World of Apu*. Adapted from celebrated Bengali novels, the trilogy chronicles the life of Apu from childhood to adulthood. The first installment introduces audiences to Apu as a young boy in rural Bengal, while the subsequent films follow his adolescence and adulthood in Varanasi and Calcutta. Despite its limited recognition outside film circles, the trilogy is hailed as a cinematic masterpiece, influencing contemporary filmmakers such as Martin Scorsese and Wes Anderson. Each film has received critical acclaim, solidifying its status within the annals of cinematic history.
The Three Colours Trilogy
Renowned for its psychological depth, the *Three Colours Trilogy*—comprising *Three Colours: Blue* (1993), *Three Colours: White*, and *Three Colours: Red*—was directed by Krzysztof Kieślowski. Each film is named after a color from the French flag and explores themes of liberty, equality, and fraternity. Although the films are not directly connected, they share a universe through character cameos. This trilogy is a testament to Kieślowski’s mastery, earning critical acclaim and multiple awards, including Academy Award nominations for *Three Colours: Red*. The trilogy is celebrated for its profound exploration of human relationships and political ideals.
The Death Trilogy
Director Alejandro González Iñárritu crafted the *Death Trilogy*, which includes *Amores Perros* (2000), *21 Grams*, and *Babel* (2006). This thematic collection interweaves three narratives that delve into life in Mexico City and beyond. *Amores Perros* marked the directorial debut of Iñárritu and the film debut of Gael García Bernal. The success of this film paved the way for the subsequent releases, both of which garnered significant critical acclaim. *Babel* particularly stood out, receiving seven Academy Award nominations and establishing Iñárritu as a leading voice in contemporary cinema.
The Mexico Trilogy
Known as the *Desperado Trilogy*, the *Mexico Trilogy* includes *El Mariachi* (1992), *Desperado* (1995), and *Once Upon a Time in Mexico* (2003), all written and directed by Robert Rodriguez. The first film was produced on an ultra-low budget and achieved remarkable success, even setting a Guinness World Record as the lowest-budget film to gross over $1 million. The trilogy is characterized by dynamic storytelling, energetic scores, and memorable performances, helping Rodriguez secure his place as a prominent filmmaker. Each sequel expanded on the original’s charm while maintaining the essence of classic Westerns.
The Salta Trilogy
The *Salta Trilogy*, directed by Lucrecia Martel, consists of *La Ciénaga* (2001), *The Holy Girl*, and *The Headless Woman*. Set in Salta, Argentina, these films explore the intricate lives of women in the region. Martel’s debut film, *La Ciénaga*, received widespread acclaim, setting the stage for her subsequent works. Both *The Holy Girl* and *The Headless Woman* examine themes of femininity, sexuality, and identity, earning nominations for the Cannes Film Festival’s Palme d’Or award. While Martel’s style may challenge mainstream sensibilities, her trilogy is considered a significant contribution to Argentine cinema.
The Human Condition Trilogy
Directed by Masaki Kobayashi, *The Human Condition Trilogy* includes *No Greater Love* (1959), *Road to Eternity*, and *A Soldier’s Prayer*. This trilogy presents a continuous narrative centered on Kaji, played by Tatsuya Nakadai, who grapples with the harsh realities of life during World War II. Based on Junpei Gomikawa’s novel, the films depict Kaji’s transformation from an idealistic man to a war-torn individual facing profound moral dilemmas. Despite initial controversy, the trilogy is now recognized as an epic exploration of human resilience and the consequences of war, earning critical acclaim both in Japan and internationally.
These trilogies, while not always in the mainstream spotlight, offer rich narratives and profound themes that contribute significantly to the landscape of cinema. They remind viewers of the art form’s potential to inspire and provoke thought, reinforcing the notion that masterpieces can often be found beyond the surface of popular acclaim.
