The world premiere of Anthony Davis’ new opera, “Pancho Rabbit and The Coyote,” took place on October 21, 2023, at the Southwestern College Performing Arts Center in Chula Vista, California. This remarkable children’s opera, inspired by the 2011 children’s book by Mexican-American author Duncan Tonatiuh, showcases a powerful narrative that resonates with contemporary social issues.
Commissioned by Bodhi Tree Concerts, the production features a bilingual score that combines Spanish and English, reflecting the cultural richness of the border region just twelve miles from Tijuana. The opera, described as “an opera for children and adults,” strikes a balance between fantasy and the stark realities faced by undocumented migrants.
The cast is led by Mariana Flores Bucio, who plays Pancho, and Victor Robertson as the Coyote. Bucio, a UC San Diego alum and native of Ensenada, delivered a standout performance, embodying childlike wonder with a stunning vocal presence. Robertson’s portrayal of the Coyote explored the character’s moral complexities, highlighted in his poignant line: “I know all the shortcuts / Some are safer / Some are not so safe / My whole life is a shortcut.”
The opera’s narrative follows the journey of an eleven-year-old rabbit, Pancho, who crosses the border from his rural home in Mexicali to search for his father in El Norte. Accompanied by the Coyote, who serves as both guide and adversary, the story unfolds against a backdrop of social inequities and political issues that are increasingly relevant today.
Davis’ score seamlessly merges various musical styles, including classical, cumbia, cha-cha, Norteno, salsa, and jazz. The performance featured a talented 17-piece orchestra, whose artistry enhanced the emotional depth of the opera. Noteworthy musicians included trombonist Michael Dessen, violinist David Boroff, and bassist Mark Dresser.
The opera’s stage direction, managed by Octavio Cardenas, was crisp and effective, ensuring that the narrative flowed smoothly. The use of tulle to create a river effect was particularly inventive, adding a visual element that engaged the audience.
While the final act felt somewhat rushed, the production consistently delivered powerful moments. The lyrics, translated into Spanish by Laura Fuentes, were presented as supertitles, making them accessible to both children and adults. Havis’ lyrics maintained a poetic quality that resonated with the audience, enhancing the overall experience.
The opera’s next performance is scheduled for January 31, 2024, in Tijuana, where some roles will be performed by alternate singers due to concerns about crossing the border, underscoring the ongoing challenges faced by many in the region.
“Pancho Rabbit and The Coyote” stands as a testament to the blending of artistic expression and social commentary, marking another significant achievement in the career of Anthony Davis. As the opera continues to gain recognition, it is poised to join the ranks of his previous acclaimed works, such as “X: The Life and Times of Malcolm X” and “The Central Park Five.”
