Daisy Ridley’s latest film, We Bury the Dead, redefines the zombie genre with an innovative approach to horror. Directed by Zak Hilditch, the movie introduces a unique take on the undead, diverging from the traditional depictions that have dominated the genre. While audience reactions vary, the film’s strong critical rating on Rotten Tomatoes suggests it has resonated well with many viewers.
Set in a post-apocalyptic Tasmania, We Bury the Dead features a new breed of zombie, created by the accidental discharge of an experimental weapon that wiped out most living organisms in a specific area. As Ridley’s character, Ava, embarks on a journey to find her husband, she encounters these reanimated beings, whose presence is marked by a particularly unsettling sound effect that adds to the film’s eerie atmosphere.
Innovative Sound Design Enhances the Horror
The zombies in We Bury the Dead possess limited cognitive functions, making them reminiscent of traditional zombies. Yet, Hilditch’s choice to have them grind their teeth incessantly sets a new standard for horror sound effects. This relentless grinding, which escalates to the point of breaking, results in a nightmarish cracking noise that is both unsettling and memorable.
Horror films are known for their iconic sound effects, often heightening the tension and fear experienced by audiences. The teeth-grinding in We Bury the Dead may not reach the level of recognition of the xenomorph’s hiss from the Alien franchise or the growl of the demon in The Exorcist, but it leaves a lasting impression. Once heard, the sound becomes a key element of the film’s unsettling experience.
Strong Performances and Effective Restraint
Ridley’s portrayal of Ava is both reserved and powerful, contributing to the film’s emotional depth. Hilditch’s decision to limit the frequency with which the zombies appear on screen enhances their impact, making each encounter more significant. The chilling sound of their teeth grinding acts as an auditory cue that draws viewers deeper into the narrative, fostering a sense of dread.
As We Bury the Dead begins its theatrical run on January 2, 2026, it stands as a testament to the potential for innovation within the zombie genre. With Ridley’s compelling performance and a fresh take on the undead, the film promises to leave audiences both intrigued and horrified.
For those interested in the intersection of sound design and horror, this film offers a unique opportunity to explore how auditory elements can enhance the storytelling experience. As We Bury the Dead continues to gain traction, it may well become a notable addition to the canon of modern horror films.
